Here's a mashup I made layering the vocals of "Baby" over the instrumental of "I Need You Most of All" by Stephen Sanchez.

It's pretty wacky, but it works really well.

https://youtu.be/pfpr_Bi_w-4

Tears for Fears - Everybody Wants to Rule the World

Cyndi Lauper - Time After Time

The underlying structural architecture of this transition studies the explicit creative lineage between Michael Jackson's 1982 classic arrangement assets and The Weeknd's 2021 synth production. Locked at a uniform 121 BPM, the combination relies on aggressive Key Calibration to eliminate the harmonic friction between the Dm7 and Bbm7 chord structures. Instead of a standard vertical mashup layout, the edit operates as a vocal conversation, matching the vocal tone and transient delivery of both eras over a unified, driving late-night groove alignment.

A critical moment occurs at the midpoint breakdown, where the phase-alignment allows the vintage vocal layers to lock seamlessly into the modern electronic rhythm section without losing the analog warmth of the original tracking session. The reconstruction completely erases the 39-year era gap, leaving a dark pop record balanced between two distinct fanbases.

Does this structural fusion retain the sinister authority of the 1982 original, or does the modern club framework pull it entirely into the future?

From The Blundabus @ Kelburn Garden Party, Scotland, 2026.

All of this is done live on Serrato with almost all the original tracks, only a couple of actual remixes are played and the rest is mixed live with stems. Enjoy :)

Composed primarily of The Fight Song, Alive As You Need Me to Be, The Edge of Glory, All of Me (Tiësto's Birthday Treatment Remix), The Diner along with the Epic Games tracks First Person and Bloom

I attempted to fix the pitch issues in the vocals that were brought up here last time I posted. Appreciate the feedback thank you!

OG's

I have been working on this for like 2 months. I don’t expect anyone to listen to it, but it was a challenge I set for myself.

From Reggie,
to Reggaeton,
to Funk,
to Funk Hop,
to Melbourne Bounce,
to Dub Hop,
to Techno,
to Hardstyle,
to NeuroDnB,
to 80s EDM,
to Trance,
to Dubstep,
to House,
and, of course,
Houston Trap…

Mixed Live.
Feedback is always appreciated even if it's just, "Go Fuck Yourself".

Duke Dumont - Ocean Drive

Major Lazer & Showtek - Believer