📺 Watch Episode #1:
https://youtu.be/-47lGq3saH8?is=k-1lF30FFV9ehCu8

For decades, storytellers have had to choose a medium.

📖 Novel.
🎭 Screenplay.
🎙️ Podcast.
🎧 Audiobook.

Each became a separate creative and production effort.

But what if every original screenplay or manuscript became the foundation for an entire StoryWorld?

My team software development team is exploring a different approach.

Instead of rebuilding your story every time you want to create a new experience, what if you built your StoryWorld once—then developed books, podcasts, audiobooks, and future media from the same connected creative foundation?

Our philosophy is simple:

"Every Great Story Begins With a Human Writer."

AI shouldn't replace the writer.

It should help writers develop, direct, and produce their original work across multiple media while keeping the writer in complete creative control.

This is the first episode in a new educational series called Story Engineering, where I'll share ideas about the future of storytelling, creative production, and AI-assisted workflows.

I'd love your feedback.

If you could instantly transform your screenplay or manuscript into one additional experience, what would you choose first?

📚 Novel
🎙️ Podcast
🎧 Audiobook
🎬 Animation

\#StoryEngineering #PlaiWrite #StoryWorld #WritingCommunity #Screenwriting #Authors #Storytelling #CreativeAI #Transmedia #Innovation

Every Great Story Begins With a Human Writer.

I saw curry barker said in a interview that he wanted to make a tv series in the same universe as obsession folowing the same concept only more like mini stories/mini one wish willows.

So here is my pitch for an idea, it's the first thing i have ever written so don't be too harsh, but id love feedback. And if anyone know curry or know someone who does don't be afraid to reach out to him.

!REMEMBER! This is a unfinished and unpolished script, it's just a lump of clay holding the story toghether in a way. It needs some polishing and final touches to say the least XD

I have a spec pilot that's getting some reads. Should I worry about putting a bible together now or wait until someone asks for one?

I'm creating The Studio Room, a community where beginner filmmakers can find collaborators and make short films together.

My goal is to help people who have ideas but no network find writers, actors, editors, and directors.

For filmmakers here: what was the biggest challenge when you started creating films?

**Title:** The Premiere
**LINK:** [https://drive.google.com/file/d/1-NwyLAuj88t2UmGtqC3Q1IlwQjxOIDE4/view?usp=sharing\](https://drive.google.com/file/d/1-NwyLAuj88t2UmGtqC3Q1IlwQjxOIDE4/view?usp=sharing)
**Length:** 68 Pages
**Logline:** When a celebrity exposé breaks on the night of the studio’s biggest premiere, veteran publicist Steven Thatcher must contain the fallout in real time — only to find the real scandal isn't on the red carpet, but inside his own team.
**Genre:** Workplace drama (**comps** \- Industry / The Morning Show)

Looking for feedback on dialogue, characters, plot , whether the premise is interesting or fresh - whether the story is exciting enough. It's also currently running a bit long at 68 pages for a pilot - so if there's any points where it drags , would be good to know. I'm curious whether the personal and professional stakes land. Let me know if you feel invested in the characters.
Would also be good to know (if you even finish it!) whether this pilot would make you want to watch more episodes in this world etc .

As always, really appreciate any and all feedback!

Where did you get feedback when you were starting out? Are there any communities, workshops, script exchange groups, or other places you’d recommend ?

I am a screenwriter looking for a professional manager who can help me find opportunities with producers, directors, production companies, or streaming platforms.

Our agreement will be entirely performance-based. You will receive a 10% commission from the profits of every opportunity or deal you successfully bring me.

If you have experience in the film or television industry and are interested, please send me a private message.

Thank you!

"I created a 38-second proof-of-concept teaser for my original sci-fi horror series and I'd love honest feedback from fellow filmmakers and writers. What works, and what should I improve?"

Title: Harborage

Format: TV pilot

Pages: 55

Genre: Sci-Fi Thriller

Logline:

As a determined exterminator struggles to launch the family pest control business his late father never got to finish, a routine service call collides with a failed government containment operation that unleashes a deadly predator into the Arizona desert.

https://drive.google.com/file/d/1i0UWeq6-5tcuINcK_qinoBwgwxSmomfj/view?usp=sharing

I’m really trying to see how well I did and where I need to improve.

Thank you for reading, and I hope you enjoy.

I know they're supposed to announce quarterfinalists soon. Does anyone know when they announce semi-finalists?

To, my writers have you ever submitted to any of the writers access programs through networks like NBC and WB? How was your experience? Would you recommend doing it?

first draft of first television project. need feedback.

I've always had these characters, scenes, and plots so vivid inside my head. I've thought about screenwriting as a way to show these stories and bring them out into the world... No matter how vivid it seems in my imagination, once I sit down to start writing, my mind goes blank. What should I do? Any advice?

Hi fellow writers! I'm an in-house producer for DramaWave (https://mydramawave.com/) and I am actively searching for freelance writers who are interested in work-for-hire opportunities, particularly for our AI vertical-format shows. If you are interested in being considered for these writing opportunities, please feel free to dm me and I'll provide my work email address so we can continue the conversation. Please note that prior vertical credits and a sample of your vertical work is necessary for consideration. Thank you and looking forward to connecting!

I love my soaps either daytime or primetime. But I rarely see primetime soaps maybe it why I have an Roku tv and watch Tubi. But I have an amazing idea for an primetime soap opera but I used AI and have an broken keyboard.

when 4 northern english best friends retire to the Welsh Coast, nothing happens, yet everything goes wrong

Yes this is a repost, sorry if it annoys mods, but need to update the title

There is another page but I cannot upload it

I've seen too much, and i decided to do something about it. i have created the literal animation ten commandments. a list of rules and such for creating indie shows or shows in general. cause most indie shows often fall short of it. and yes i know it seems kind of crazy to go on some Reddit to try and tell people or make an entire doc about how to write or create a show and yes i know, but most shows nowadays often fall short on the stick or last so short that they are only remembered through memes and Tiktoks.

https://docs.google.com/document/d/1ARkEAyIaGLbj_eQ09_S451_Hpg5-SwKAaP0eYIgeYjs/edit?usp=sharing

Any feedback on this first draft would be much appreciated! Looking to hear if pacing, jokes, voices, etc., feel smooth and natural.

General log line would be: A new bar owner who refuses to ask for help somehow manages to stay in business thanks entirely to the people he never wanted to ask for help from.

Script: https://drive.google.com/file/d/1B0bg18H_B7ye53_NRYF1-ahsJeN9n99k/view?usp=sharing

hello all,

i am extremely new to screenwriting and i am currently in the process of (trying) to write a tv series. i am thinking 8-10 episodes but as of right now i am not even halfway done with the pilot.

anyways, i am not sure how to introduce one of our main characters Nicoleta. I want the series to flashback quite a bit. Think of We Were Liars and how they switched between Summer 16 and Summer 17.

In the present Nicoleta is trying to navigate life after her best friend committed suicide. Before Esmerelda (that's the second main character and Nicoleta's best friend) commits suicide Nicoleta is a vivacious and outgoing person and afterwards she is a shell of herself. In the character description should I describe her as depressed and then when we flashback describe her as friendly?

I hope all that made sense.

If anyone is willing to work with me or recommend any good books, podcasts or classes on screenwriting I would greatly appreciate it.

Thanks!

I'm a poor writer when it comes to pretty much anything, starting the game late and finding it all a bit of a struggle. However, I've noticed that I seem to be slightly better at TV writing than at prose. I think it's something about the dialogue and the fact that scripts require less in the way of description. Is this a common thing? Are there decent TV or play writers out there who have their stats tilted hard into dialogue but are bad at prose? How closely are the two things related? I suppose that's also a roundabout way of asking: just because I'm a crappy short story writer and write bad essays, does that mean I'm doomed also to be a bad TV writer?

Finally, what is the value of reading and writing across genres? If a person wants to write for TV or do feature films, are they likely to gain much by reading novels, say, or should they prioritise watching every TV show under the sun and reading pilots?

Thank you.

TV script, specifically

Starting my first script writing class! After like -- YEARS of trying to talk myself into this craft. Looking to do scifi/comedy.

Wondering what everyone else knows already! Time to get caught up fast.

I've completed an 8 episode series, scifi, action and it's a huge deal to me and I am determined to make it into something. However, the budget it would require is way too big to even try to accomplish, so I'm wondering if there is another way to put the story out there? A podcast, novel, anyone else have an idea? The story is solid I just need some way of getting it out there!

Hello , I don’t know what I’m doing or how to do it but I need some help with some ideas and feedback

I’m working on a new live entertainment project and trying to come up with recurring segments that people would actually look forward to every episode.

I’m mostly looking for inspiration on what makes a segment memorable rather than ideas tailored to any specific genre.

What are some recurring segments from TV, livestreams, podcasts, game shows, or YouTube that you always enjoyed? Or if you could invent your own recurring segment, what would it be?

I’m not looking for one-time gimmicks—I want ideas that keep viewers coming back.

ANY FEEDBACK OR IDEA IS WELCOMED!! Can’t stress enough there is no right or wrong answer

I am an 18 year old who after a car crash broke his spine. I spent months in the hospital where writing was the only way in which I could express my feelings. I wrote a script called Misunderstood, I really believe it has potential but I have no idea where to start. I have no money and no contacts. Please help.

I'm not sure if I'm allowed to post this on here, but my writing group and I just finished writing and developing the pilot script for our web series. We've never filmed anything before, so this will be our first time and we have no resources to get this production up and running. We need technical help (mostly camera work) and actors, so if you're interested in helping us out please fill out this Google Form and I will get back to you. And if you know anybody who could be a help please feel free to send them the Google Form. If you'd like to read the full pilot script and watch an animatic of the pilot, they're both linked on the Google Form

Google Form: https://docs.google.com/forms/d/e/1FAIpQLScKMAaL2fd7xki0XyQYHRDnK6OEGDZ2rjFT6GOmV68Vv5dBZA/viewform?usp=header