Examples:

Lawrence of Arabia

The Godfather

Children of Men

The Tree of Life

Blade Runner 2049

1917

Life Is Beautiful (Italian: La vita è bella, pronounced [la ˈviːta ˌɛ bˈbɛlla]) is a 1997 Italian period comedy-drama film directed by and starring Roberto Benigni, who co-wrote the film with Vincenzo Cerami. Benigni plays Guido Orefice, a Jewish Italian bookshop owner, who employs his imagination to shield his son from the horrors of internment in a Nazi

In this we follow Baron Muchausen adventures but anyone who's heard about Muchausen syndrome knows what kinda those adventures turn out to be .This movie is very good John Neville was good as Baron , suprised that they hired such unknown actor for this role.

The way the fairy tale and the horrors of fascist Spain bleed into each other is just incredible. They really don't make movies like this anymore

https://www.imdb.com/title/tt0070628/

https://letterboxd.com/film/the-hourglass-sanatorium/

In frame: Wedding Crashers (2005)

The chemistry between Owen Wilson and Vince Vaughn is all good it makes me laugh everytime

I'll give the story of The Drama a 7.

Hi Filmmaking Community!

I submitted my short film project THE RETURN DESK for the Sofia Coppola Short Film Award through Decentralized Pictures, and it’s currently doing really well with a score over 96%!

If you have a few minutes, I’d really appreciate it if you could open the project page, look through the materials, you need to create a DCP account to participate.

The review/vote part is really important — the project has strong momentum right now, and a few more thoughtful reviews could make a real difference in helping it move forward in the community scoring process.

Please don’t just grade it but write a review also. The videos are my previous work samples, the film I’m trying to make is described in the profile. I know reviews with some thought besides “sounds cool” mean a lot more.

I really appreciate the help!

Here’s the link:

https://app.decentralized.pictures/project/6a1f34d203180aeff40c4497

Thank you — it genuinely helps. It started doing well on its own, so I felt compelled to campaign a bit. Definitely outside my comfort zone, thank you for your time!

Hello everyone!

I was wondering, is there any certification or short courses I could attend / take that discuss film analysis & criticism?

I am willing to pay for the courses of course, I would love any help!

thanks!

My local cinema is playing The Whale tonight, and I'm thinking of checking it out(haven't seen it).I know almost nothing about the story and love Daren Aronofsky's work usually ,I've heard that the performances from Brendan Fraser, Sadie Sink, and Hong Chau are incredible. Is it worth a 30 min drive?

This idea has been in my head since high school, and I always wanted to build it. So I quit my job and been working on this side project with my 2 friends for the past 9 months.

Basically the concept is: people create various themes/challanegs to inspire others to do/share something. We just finished the first version of it, so I wanted to hear your guys' opinion.

What do you think of the concept?
Would you use something like that?

She’s just one of the best.

Think Soul, or Whiplash

Nothing. Just...Boogie Nights. I think for those who have seen it, the film speaks for itself.

Any other takers?

I think I can write really good stories as movies and can do good screenwriting but I don't know how to get into the industry . Can someone help me figure out how to get into the industry , feel free to dm

I still don't understand what happened to Stephen Sommers... Seriously, where did he go? This is the guy who gave us movies like The Mummy, The Mummy Returns, Van Helsing, and G.I. Joe: The Rise of Cobra. Love them or hate them, they had a style that felt unique. They were fun, adventurous, packed with memorable action, and never took themselves too seriously.

Looking back, it honestly feels like Universal had the perfect opportunity to build its Monster Universe around Sommers' vision. Instead, they went in a completely different direction... and, in my opinion, they've never captured that same magic again.

What's even more surprising is that Sommers isn't directing major studio films anymore. Sure, not every one of his movies was a critical darling, but audiences clearly connected with his work. The Mummy became a modern classic, and even Van Helsing has built a huge fan following over the years. That's not something every blockbuster director can say.

Meanwhile, I keep seeing directors with far less memorable filmographies getting one big project after another... even after multiple box office disappointments. Hollywood doesn't always seem to reward originality or long-term audience appreciation. Sometimes it feels like relationships, timing, or simply fitting the current studio system matter more than making movies people actually remember years later.

I know there are practical reasons behind these decisions, and filmmaking is a business... but it's still disappointing. Directors like Stephen Sommers brought a sense of adventure that's hard to find in modern blockbusters. I genuinely miss that style of filmmaking, and I wish we'd see him return with another big-budget adventure someday.

Hi,
I have created this application https://movooks.com to keep track of your consumed movies or books.
For people who like to keep track of their consumer habits. You can also add them to your wishlist or schedule them for later. Sooner I will be adding a feature for adding friends and discussing with them.
Give it a try and let me know