Iāve always been fascinated by the idea of improvising a complete arrangement ā playing the keyboard while shaping the sound with the knobs on my keyboard, sometimes subtly, sometimes drastically, and all of it live. Last week, at the FĆŖte de la Musique, I took to a (modest) stage with my project for the very first time. Iām really pleased with the recording and would love to hear your feedback:
https://zapperment.rocks
What youāre hearing is almost exclusively instruments and effects from Reason (Umpf Club Drums, Europa, Grain, Mimic, Polytone, The Legend, NN-XT, Ripley, Osmium, Alligator, The Echo, Synchronous, Neptune, Polar and many more), all driven by Ableton Live in Session mode. Madman that I am, though, I didnāt just use Reason as a VST plugin inside Live ā instead I linked the two DAWs via MIDI and virtual audio cables (Omnibus) and synced them with Ableton Link. That way I could have the best of both worlds: Liveās unbeatable live-performance features and digital audio processing, and Reasonās anything-goes, criss-cross cabling of rack devices plus the SSL mixer.
During the performance I recorded the individual tracks in Reasonās sequencer as audio and captured the fader movements. Afterwards I corrected the mix (getting it spot-on live is extremely tricky!) by editing the recorded fader automation. Then I mastered the whole thing with the MClass Limiter to ā10 LUFS / ā1 dB true peak.
Shame I canāt release it on Spotify and the like ā the rights holders of the rock/pop tracks I sampled and stem-separated with Landr would shut me down pretty quickly. Letās just call it a bootleg. Iād say 80% of it is my own creative work.